Publication: G: An Avant-Garde Journal

G: An Avant-Garde Journal of Art, Architecture, Design, and Film, 1923-1926
Edited by Detlef Mertins and Michael W. Jennings
Getty Research Institute : 2010
280 pages; 22 color and 134 b/w illustrations
ISBN 978-1-60606-039-1.

First published in 1923, the journal G: Material zur Elementaren Gestaltung (G: Materials for Elemental Form-Creation) helped shape a new phase in the history of the European avant-garde. Founded by Hans Richter, a pioneer of abstract animated film, G featured works by some of the important names in the advanced cultures of Europe: Hans Arp, Walter Benjamin, Theo van Doesburg, Viking Eggeling, Naum Gabo, Werner Graeff, George Grosz, Hugo Häring, Raoul Hausmann, Ludwig Hilberseimer, Frederick Kiesler, El Lissitzky, Ludwig Mies van der Rohe, Antoine Pevsner, Man Ray, and Tristan Tzara.

This edition, the first in English translation, preserves the original design by Lissitzky, Richter, and Graeff, and includes essays that explore the role of the journal in its time and in relation to contemporary culture. An introduction analyzes the principles of the journal, situates it in the culture of the early 1920s, and evaluates its achievements.

This book is structured into two parts: first, a series of essays which provide analysis on the major areas of visual culture explored in G and second, the translated-to-English facsimile of the journal itself. With an overview which situates G and its major contributors in historical context begins the essay portion of the book. Other essays follow, one on each subject in the book’s title: Maria Gough on El Lissitzky’s contributions to G’s graphic design; subsequent essays by Edward Dimendberg on film, and Detlef Mertins on architecture, are also well-researched and informative.

In the second part of the book, a carefully constructed facsimile of G is presented, that is true to original documents held in the Museum of Modern Art, except the German text was translated into English.

Publication : Biography Hannah Höch

Cara Schweitzer
Schrankenlose Freiheit für Hannah Höch
Osburg Verlag : Berlin 2011
439 Seiten
ISBN-10: 3940731641
ISBN-13: 978-3940731647

The life of the Dada artist under the Nazi dictatorship

With her ​​scissors she cut art history, the collages of the grande dame of Berlin Dada movement, Hannah Höch (1889 - 1978), shook the Weimar »Beer Belly Cultural Epoch." Now for the first time a biography of the artist appears, who extensively discussed their predicament under the Nazi dictatorship. Previously undiscovered letters and documents explain why Hannah Höch could not leave Germany at the last minute.

Shortly after the outbreak of World War I in Berlin the Dada movement was formed. Hannah Höch is one of the few women in this illustrious men's club. After the takeover by the Nazis their work was considered as "degenerate". Her closest friends left the country. During the war years, she retired to spend in her garden on the outskirts of Berlin. Her house becomes a secret archive of the avant-garde. The biography focuses on the dramatic circumstances of her marriage to the 21 years younger Heinz Kurt Matthies. In 1938 he was arrested, and for the once cautious artist begins the fight for his release.

Kemzeke : E.L.T. Mesens

E.L.T. MESENS comme nous l'entendons...

Retrospective exhibition

Verbeke Foundation, Kemzeke (B)

14.08.2011 - 16.10.2011

Curators: Geert Verbeke, Simon Delobel
URL: www.verbekefoundation.com/
Catalogue: download the catalogue (in Dutch; also in French)

On the occasion of the 40th anniversary of the death of E.L.T. Mesens the Verbeke Foundation organizes the first retrospective of his dadaist and surrealist oeuvre. The exhibition contains an exceptional selection of about 200 collages, posters, partitions, letters, magazines and books illustrating the diverse talents and activities of Mesens. He was not only a musician, composer, poet, photographer, collagist, editor and polemist but also a gallerist and art collector. In addition ninety-four window displays illustrate the personalities of as much acquaintances of Mesens: from Eileen Agar, Scottie Wilson and Salvador Dali to Desmond Morris and Peggy Guggenheim.

Berlin : Lajos Kassák

Lajos Kassák
Ambassador of the Avant-Garde 1915-1927
Berlinische Galerie, Berlin
17.06. - 17.10.2011
url: www.berlinischegalerie.de/

Lajos Kassák (1887-1967) was a key figure of the Hungarian avant-garde. The exhibition focuses on his years of exile in Vienna (1920-1926) and the theory of picture architecture which Kassák understood as an emancipatory form of perception and expression. In addition, it will show his journalistic activity in the circle of the internationally influential magazine MA [Today], which reflected on expressionist, dadaist and constructivist tendencies.

For the first time, the exhibition will be showing works from a private collection in Paris. Supplemented by selected works from the collection of the Berlinische Galerie, it will trace the manifold trends of the avant-garde. In the decade beginning in 1910, Kassak had already founded an international network, which he extended continually through his contacts in Vienna, Paris and Berlin. Besides literary, artistic and theoretical works by Kassák and his contemporaries, the exhibition also visualises the geo-cultural contexts within which Kassák‘s activity unfolded. Contemporary photos, documents and films present groups, centres, publications and famous artist personalities from that period, including Sándor Bortnyik, El Lissitzky, László Moholy-Nagy, Kurt Schwitters, Tristan Tzara and Herwarth Walden. Source: Berlinische Galerie, Berlin.

From Dada to Surrealism

Van Dada tot surrealisme : Joodse avant-garde kunstenaars uit Roemenië, 1910-1938
From Dada to Surrealism : Jewish Avant-Garde Artists from Romania, 1910-1938
Joods Historisch Museum, Amsterdam
June 1 - October 2, 2011
URL: www.jhm.nl/

From Dada to Surrealism is the first-ever survey exhibition of Jewish avant-garde artists from Romania. In the early twentieth century, the art world was taken by storm by the fearless experimentalism of Tristan Tzara and Marcel Janco, who were among the founders of Dada at the renowned Cabaret Voltaire in Zurich. Along with Victor Brauner, M.H. Maxy, and the older artist Arthur Segal, they were present at the birth of several influential avant-garde movements. They also inspired the younger artists Jules Perahim and Paul Páun, two pioneers of Surrealism. Some of these artists are well-known to art lovers, but few people realize that they share a common background: they were all Jewish and born in Romania. The exhibition includes more than eighty works of art, most of them from Romanian museums and private collections but also from other collections worldwide. Most of these works have never been exhibited outside Romania before. A richly illustrated book accompanying the exhibition will be available at the JHM Museum Shop and elsewhere.

Virtual Exhibition: From Dada to Surrealism.

Publication: DADA Een geschiedenis

Hubert van den Berg
Dada. Een geschiedenis
Van Tilt : Nijmegen, June 2010
ISBN 9789075697971.

The book Dada. A history of Hubert van den Berg drags the reader into the depths of dada and shows us its true face. Because many aspects of dada are very dada, in the past the Dadaists were more than once misunderstood and often lost in the jumble of dada. Van den Berg knows this tangle to unravel, and shows the reader the full glory and horror of dada. Dada is the mirror in which humanity could see the world in its true form, and Van den Berg helps the reader to understand what he sees. In addition, Van den Berg's book, the first Dada history of Dutch origin, offers the reader a comprehensive description of the generation, dissemination, development and finally the collapse of Dada. In Dutch.

Angelika Hoerle

Angelika Hoerle. Comet of the Cologne Avant-garde
Museum Ludwig, Cologne
September 26, 2009-January 17, 2010
exhibition flyer

Angelika Fick Hoerle (1899-1923) lived hard and died young. In spite of her youth, she left a promising artistic legacy. Moving through the influences of WW I, the German Revolution and Dada, she developed artistic styles that foreshadowed Surrealism and the Cologne Progressives.

Angelika's apartment in Lindenthal, the ‘dadaheim' with its Schloemilch Verlag, was both a meeting place and the publishing house for Max Ernst's Fiat Modes and the international Dada magazine, Die Schammade. Nicknamed "Dada Angelika" by friends and dubbed the German Master of Dada by a newspaper, Angelika went on to co-found the Stupid Group and become a voice for women along with her best friend Marta Hegeman. When Angelika died of tuberculosis at 22 years of age, her brother, the artist Willy Fick, paid the back rent on the apartment where she had lived alone since the fall of 1922; he wanted to save her things. Willy Fick hid Angelika's works, and those of her politically active friends, from the National Socialists when the artists represented were labelled degenerate.

See also: Angelika Hoerle: The Comet of Cologne Dada an exhibition at the Art Gallery of Ontario (AGO).